great interview*
Interview: Julian Fellowes on The Young VictoriaJulian Fellowes, writer of new film The Young Victoria – in which Belvoir Castle deputises as Buckingham Palace – tells JENNIFER SCOTT what happened when Fergie teamed up with Martin Scorsese...
IT'S a press conference that involves three stars and many more reporters but the man who's taking centre-stage is Oscar-winning writer Julian Fellowes.
AUDIO: Listen to an extract from the press conference -->
i.thisis.co.uk/274198/binaries/ep060309youngvictoriapressconf-final.mp3Sitting behind a long table in a London hotel, sipping water and eating chocolates, he gives the impression he's hosting his own state banquet – not unlike one of the monarchs who feature in his latest film.
Fellowes' latest scriptwriterly offering is The Young Victoria, much of which was shot at Belvoir Castle.
Actors in the film, which depicts the early days of Britain's famously "not amused" Queen, include rising cover girl Emily Blunt (as Victoria), Keira Knightley's other half Rupert Friend (as Albert) and Jim Broadbent (as Victoria's uncle King William IV)
Emily and Rupert are also present at today's press conference but they're not getting to say that much. Emily's managing the odd anecdote. Soft-voiced Rupert, who sits with his chin buried in his hand, is largely restricted to the occasional: "Yeah, I agree with Emily".
No, the star of the show is, for once, the writer – famous for his script for Gosford Park. He is currently entertaining us with his musings on Hollywood etiquette.
"In Hollywood," according to Julian, "good manners are like a cool drink on a hot day."
He glances sideways at Emily. "Anything to add?"
"No! Nothing!" she says with a splutter. Our Queen Vic actress is very much amused. "As I just said to Rupert, 'You're on fire'."
Rupert, it seems, agrees with Emily.
Julian gallops into the conversation once more, this time on the subject of historical accuracy.
"I was a little worried when King William (Broadbent) told the Duke of Wellington to 'Enjoy the meal'," he sighs. Apparently that wasn't the done thing in the 19th Century.
"Apart from that, I think we were pretty good," he says.
"Is that not in the script?" queries Emily.
"It certainly is not!" retorts Julian. His scripts are anachronism-free, thank-you very much. "That was Jim Broadbent ad-libbing something."
Ah, the ad-libs. Emily decides she'd better come clean.
"I said, 'Yeah, I'm really excited' in one of my ad-libs. And in another one I said: 'OK'," she confesses.
Having worked extensively as an actor, Julian is forgiving. "I said 'OK' once and I was in the 17th Century," he confides.
So what prompted him to write about Victoria in the first place?
"I was very interested in her long before this film. I realised how little I knew of her early years and I never realised what an emotional battle she had to get to the throne.
"The Queen Victoria I knew was short and fat and dark and cross and living in Scotland with a handkerchief on her head."
"I had the opinion she was old and mourning and sour-faced and repressed," adds Emily.
"I agree with Emily," pipes up Rupert.
In fact, despite Julian's interest, the idea for the film originally came from the Duchess of York. She met with one of the film's co-producers who then approached Julian.
"Every good film needs a good idea so we're all very grateful," says Julian. "I think it's also the first time the Duchess of York has shared a credit with Martin Scorsese [another co-producer]. I feel it's not likely to be repeated!"
The Duchess came on set once, with her two daughters in tow. Princess Beatrice even manages a walk-on role in the coronation scene.
"Oh, she was charming!" rhapsodies Julian. "We shot that scene in Lincoln Cathedral. It was absolutely icy and decorated with stuff done for the Da Vinci Code film which was very odd.
"She was very good natured. Being in a film involves a lot of waiting and it's hard for people who aren't used to it. She was very patient. A very nice gal. And very like Queen Victoria to look at."
Emily starts giggling, not sure if this is a compliment. Julian seems equally sure it is.
One reporter asks if the fabulous list of locations were the result of the famous toffish Julian begging favours from his chums.
"Entirely my address book!" he chortles, before adding: "No, I don't think the name 'Julian Fellowes' even opens Julian Fellowes' door!
"They were wonderful locations. Blenheim and Belvoir are the great houses of England. But we didn't get in because of me. We got in because of a handsome cheque book.
"Rupert, what did you feel about our locations?"
Rupert shrugs.
"Have a chocolate, Rupert," says Emily.
"Yeah, I'll press on with these," says Rupert, tucking in.
However, the others clearly feel it's time for him to wake up.
A question flies in about the film's French-Canadian director Jean-Marc Vallee.
"Go on. You haven't spoken yet. Go for it Rupe," says Emily, nudging the silent movie-star.
Rupert goes for it.
"I think anyone who isn't ingrained with any preconceptions about monarchy is very useful," he says.
"That degree of modernity is really good when looking at emotions because love is kind of timeless."
"Oh, that's lovely," sighs Emily.
"That's very good," echoes Julian. "'Love is timeless'. A slogan for the poster!"
A question aimed at Emily about the elaborate outfits also gets diverted Rupert's way.
"Rupert wore a corset as well. I think they were more lenient on you than on me," she informs her co-star.
"F***in' weren't," protests Rupert, nearly choking on his chocolates. "I was in a corset for the last scene. Corset, hip-pads and cheek plumpers."
"Don't let's go there," says Julian, hastily.
Our pens are poised. We are on alert. Apparently, Rupert has an anecdote.
"There is a scene," he says, "when Albert leads Vic out to dance in the rain with him. I had my hands in a coat and slipped on a cowpat and fell into another cowpat and Emily was unable to continue working she was laughing so hard and asked the crew to stop working so we could loop the film on a monitor and watch it 20,000 times. It was very funny."
Following his successful "looky-likey" pairing of Princess Bea and Queen Victoria, Julian tries again. This time, it's Rupert and Prince Albert.
"Facially, you're very like him," he muses.
"Really? I thought it was a good wig," replies Rupert.
"Well, don't let's probe the success," laughs Julian.
So how much was Emily like our Queen Vic? Had she ever dreamed of being a princess?
"Definitely not. I was never the girl who dreamed of being a princess. I hated pink and I hated fairies," she says emphatically.
"I love pink! I'm wearing it!" chips in Julian, rolling back his jacket to reveal a tea-rose coloured shirt.
"I love fairies," he continues. "I never dreamed of being a princess though. How about you, Rupert?"
"No. No," says Rupert, as you might expect. "I have to say. I'm with Emily on that one."